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・ Souvanna phoumai
・ Souvannarath
・ Souvans
・ Souvarit
・ Souvenaid
・ Souvenir
・ Souvenir (1989 film)
・ Souvenir (Andy Sears album)
・ Souvenir (band)
・ Souvenir (disambiguation)
・ Souvenir (Eric Johnson album)
・ Souvenir (Kristy Thirsk album)
・ Souvenir (play)
・ Souvenir (Sestre album)
・ Souvenir (song)
Souvenir (typeface)
・ Souvenir d'Italie
・ Souvenir d'un lieu cher
・ Souvenir de Florence
・ Souvenir de Hapsal
・ Souvenir de Mortefontaine
・ Souvenir de Porto Rico
・ Souvenir from Japan
・ Souvenir Jacques Goddet
・ Souvenir napoléonien
・ Souvenir of Canada
・ Souvenir of Gibraltar
・ Souvenir of Their Visit to America
・ Souvenir spoon
・ Souvenirs (Dan Fogelberg album)


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Souvenir (typeface) : ウィキペディア英語版
Souvenir (typeface)

Souvenir is a serif typeface designed in 1914 by Morris Fuller Benton for American Type Founders. It was loosely based on ''Schelter-Antiqua'' and ''Schelter-Kursiv,'' a 1905 Art Nouveau type issued by the J.G. Schelter & Giesecke foundry in Leipzig.〔(【引用サイトリンク】title=Souvenir Origins )〕 It has a much softer look than other old style faces, with a generally light look, rounded serifs, and very little contrast between thick and thin strokes.〔Cost, Patricia A., ''The Bentons: How an American Father and Son Changed the Printing Industry,'' RIT Cary Graphic Arts Press, Rochester, New York, 2011, ISBN 978-1-933360-42-3, p. 220-223.〕 Like Cheltenham, it shows the influence of the Arts and Crafts Movement without belonging to a specific historical style. A 1970s redesign by Ed Benguiat, adding extra styles and an italic, became far more popular than the initial release, and is the source of most versions sold today.
At the time of its issue it achieved only a moderate popularity but was known as "the printer's friend" because of its forgiving qualities on press. In the 1970s, because of its friendly, curving structure, it became very popular in uses such as in body text of educational material and for headings in book printing. Historians have described it as 'laid-back', 'the friendliest of Benton's designs' and as 'like Times Roman dipped in chocolate'.
==Cold Type Copies==
In 1967 Ed Benguiat licensed the design from ATF and re-drew the face for the Photo-Lettering Corporation. When the International Typeface Corporation (ITC) was formed in 1971 it not only issued this design as ''ITC Souvenir'' but hired Benguiat to draw additional weights. He even added swashes for each variant, thus increasing its attractiveness. It was the bold and demi-bold weights that subsequently achieved a ubiquitous popularity, leading to it being made available for photocomposition by all the leading producers under the name ''Souvenir'' by Alphatype, Berthold, Compugraphic, Dymo, Harris, Star/Photon, Mergenthaler, Monotype, Varityper, while it was called ''Sovran'' by Graphic Systems Inc.Lawson, Alexander, Archie Provan, and Frank Romano, ''Primer Metal Typeface Identification,'' National Composition Association, Arlington, Virginia, 1976, pp. 34 - 35.〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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